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Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Actors, nontheless
(S. 99 – 112)

p€ 9,95

Sandra Umathum

Actors, nontheless

PDF, 14 Seiten, 0.0 MB

In contrast to the frequent accusations that Jérôme Bel had made the eleven members of theater HORA look like amateurs and exposed them to ridicule instead of bringing their acting potentials to fruition, this essay proposes a different perspective. With respect to the tendency to interpret the successes of people with disabilities as triumphs achieved in defiance of, or in compensation for, physical or cognitive differences, it argues that one of the strengths of Disabled Theater is its absence, interruption and negation of these commonplace assumptions – and deals with the questions and potentials Bel brings to the fore by holding back from subjecting the actor’s performances to the regime of mastery and sophistication.

Performance
Darstellende Kunst
Theater
Jérôme Bel
Disability Studies
Theaterwissenschaft
Ästhetik
Identität
Körper

Sandra Umathum

ist Professorin für Theaterwissenschaft und Dramaturgie an der Hochschule für Schauspielkunst »Ernst Busch« Berlin.

Weitere Texte von Sandra Umathum bei DIAPHANES

Der Museumsbesucher als Erfahrungsgestalter
In: Karin Gludovatz (Hg.), Michael Lüthy (Hg.), Bernhard Schieder (Hg.), Dorothea von Hantelmann (Hg.), Kunsthandeln

p€ 9,95
Prologue. Disabling the Theater
In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

pgratis
»It’s All about Communication«. Interview with Jérôme Bel ABO
In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

p€ 9,95

p€ 24,95

Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.)

Disabled Theater

Übersetzt von Christoph Nöthlings

Broschur, 248 Seiten

Vergriffen

PDF, 248 Seiten, 0.0 MB

Jérôme Bel’s Disabled Theater, a dance piece featuring eleven actors with cognitive disabilities from Zurich's Theater HORA, has polarized audiences worldwide. Some have celebrated the performance as an outstanding exploration of presence and representation; others have criticized it as a contemporary freak show. This impassioned reception provokes important questions about the role of people with cognitive disabilities within theater and dance—and within society writ large. Using Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Can the stage serve as a place of emancipation for people with disabilities? To what extent are performers with disabilities able to challenge and subvert the rules of society? What would a performance look like without an ideology of ability?

Inhalt

7–10

Prologue. Disabling the Theater

Sandra Umathum, Benjamin Wihstutz

pgratis
13–30

What Difference Does It Make? Or: From Difference to In-Difference. »Disabled Theater« in the Context of Jerôme Bel's Work

Gerald Siegmund

p€ 9,95
35–50

»… And I Am an Actor«. On Emancipation in »Disabled Theater«

Benjamin Wihstutz

p€ 9,95
55–56

The Difference between Death and Disability OPEN
ACCESS

Yvonne Rainer

pgratis
61–80

Come Together. Discomfort and Longing in Jérôme Bel's »Disabled Theater«

Scott Wallin

p€ 9,95
85–94

On Action and Spinning. Interview with the Actors of Theater HORA

p€ 7,95
99–112

Actors, nontheless

Sandra Umathum

p€ 9,95
117–138

The Incapacitated Spectator

Kai van Eikels

p€ 14,95
141–160

»Yes, Now, It’s Good Theater«

André Lepecki

p€ 9,95
163–174

»It’s All about Communication«. Interview with Jérôme Bel ABO

Jérôme Bel, Sandra Umathum, ...

p€ 9,95
179–198

Christoph Schlingensief's »Freakstars 3000« . »… Consistently Abused and Forced to Portray Disability!« OPEN
ACCESS

Kati Kroß

p€ 9,95
201–224

Disabling / Enabling Photography. On Freak Photography and Diane Arbus's Portraits

Lars Nowak

p€ 14,95
227–240

After Disabled Theater. Authorship, Creative Responsibility, and Autonomy in »Freie Republik HORA«

Yvonne Schmidt

p€ 9,95
241–242

Figures
243–246

Contributors

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Karin Gludovatz (Hg.), Michael Lüthy (Hg.), Bernhard Schieder (Hg.), Dorothea von Hantelmann (Hg.), Kunsthandeln

In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

7–10

Sandra Umathum, Benjamin Wihstutz

13–30

Gerald Siegmund

35–50

Benjamin Wihstutz

55–56

Yvonne Rainer

61–80

Scott Wallin

85–94

99–112

Sandra Umathum

117–138

Kai van Eikels

141–160

André Lepecki

163–174

Jérôme Bel, Sandra Umathum, ...

179–198

Kati Kroß

201–224

Lars Nowak

227–240

Yvonne Schmidt

241–242

Figures

243–246

Contributors