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Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Benjamin Wihstutz: »… And I Am an Actor«

»… And I Am an Actor«
(S. 35 – 50)

p€ 9,95

Benjamin Wihstutz

»… And I Am an Actor«
On Emancipation in »Disabled Theater«

PDF, 16 Seiten, 0.0 MB

This essay aims at analyzing the dance piece Disabled Theater by Jérôme Bel and Theater HORA by focusing on its emancipatory potential: To what extent can the stage serve as a political place for marginalized people in our society in order to regain public recognition, participation and agency? Is the As-If of the theatrical stage able to support emancipatory strategies in performance, or does it subvert them? In what way do actors with cognitive disabilities call into question fundamental principles and norms of performance and dance, if not of society writ large? Referring to Jacques Rancière’s definition of emancipation as “equality in actu,” the author differentiates between four different aspects of emancipation: 1. Emancipation as a Gain in Freedom and Agency; 2. Emancipation as an Act of Self-Distancing; 3. Emancipation from the Achievement Principle; 4. Emancipation of Aesthetic Judgment.

Identität
Theater
Darstellende Kunst
Disability Studies
Performance
Theaterwissenschaft
Körper
Jérôme Bel
Ästhetik

Benjamin Wihstutz

ist Juniorprofessor für Theaterwissenschaft an der Johannes Gutenberg-Universität Mainz. Seine Forschungsschwerpunkte liegen auf Politik und Ästhetik im Gegenwartstheater, Performance und Disability sowie der Geschichte des Publikums

Matthias Grotkopp (Hg.), Hermann Kappelhoff (Hg.), ...: Geschmack und Öffentlichkeit

Weitere Texte von Benjamin Wihstutz bei DIAPHANES

Grenzbespielungen. Zur Politik des Raumes im Gegenwartstheater
In: Armen Avanessian (Hg.), Franck Hofmann (Hg.), Susanne Leeb (Hg.), Hans Stauffacher (Hg.), Form

p€ 9,95
»And you don’t understand ’cause it’s bigger than you«. Carl Hegemann im Gespräch mit Ilka Brombach und Benjamin Wihstutz
In: Ilka Brombach (Hg.), Dirk Setton (Hg.), Cornelia Temesvári (Hg.), »Ästhetisierung«

p€ 9,95
Prologue. Disabling the Theater
In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

pgratis
»It’s All about Communication«. Interview with Jérôme Bel ABO
In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

p€ 9,95
Geschmack und Öffentlichkeit. Eine Einleitung
In: Matthias Grotkopp (Hg.), Hermann Kappelhoff (Hg.), Benjamin Wihstutz (Hg.), Geschmack und Öffentlichkeit

p€ 7,95
Urteilende Zuschauer. Über Geschmack und Öffentlichkeit um 1800
In: Matthias Grotkopp (Hg.), Hermann Kappelhoff (Hg.), Benjamin Wihstutz (Hg.), Geschmack und Öffentlichkeit

p€ 9,95

p€ 24,95

Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.)

Disabled Theater

Übersetzt von Christoph Nöthlings

Broschur, 248 Seiten

Vergriffen

PDF, 248 Seiten, 0.0 MB

Jérôme Bel’s Disabled Theater, a dance piece featuring eleven actors with cognitive disabilities from Zurich's Theater HORA, has polarized audiences worldwide. Some have celebrated the performance as an outstanding exploration of presence and representation; others have criticized it as a contemporary freak show. This impassioned reception provokes important questions about the role of people with cognitive disabilities within theater and dance—and within society writ large. Using Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Can the stage serve as a place of emancipation for people with disabilities? To what extent are performers with disabilities able to challenge and subvert the rules of society? What would a performance look like without an ideology of ability?

Inhalt

7–10

Prologue. Disabling the Theater

Sandra Umathum, Benjamin Wihstutz

pgratis
13–30

What Difference Does It Make? Or: From Difference to In-Difference. »Disabled Theater« in the Context of Jerôme Bel's Work

Gerald Siegmund

p€ 9,95
35–50

»… And I Am an Actor«. On Emancipation in »Disabled Theater«

Benjamin Wihstutz

p€ 9,95
55–56

The Difference between Death and Disability OPEN
ACCESS

Yvonne Rainer

pgratis
61–80

Come Together. Discomfort and Longing in Jérôme Bel's »Disabled Theater«

Scott Wallin

p€ 9,95
85–94

On Action and Spinning. Interview with the Actors of Theater HORA

p€ 7,95
99–112

Actors, nontheless

Sandra Umathum

p€ 9,95
117–138

The Incapacitated Spectator

Kai van Eikels

p€ 14,95
141–160

»Yes, Now, It’s Good Theater«

André Lepecki

p€ 9,95
163–174

»It’s All about Communication«. Interview with Jérôme Bel ABO

Jérôme Bel, Sandra Umathum, ...

p€ 9,95
179–198

Christoph Schlingensief's »Freakstars 3000« . »… Consistently Abused and Forced to Portray Disability!« OPEN
ACCESS

Kati Kroß

p€ 9,95
201–224

Disabling / Enabling Photography. On Freak Photography and Diane Arbus's Portraits

Lars Nowak

p€ 14,95
227–240

After Disabled Theater. Authorship, Creative Responsibility, and Autonomy in »Freie Republik HORA«

Yvonne Schmidt

p€ 9,95
241–242

Figures
243–246

Contributors

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Armen Avanessian (Hg.), Franck Hofmann (Hg.), Susanne Leeb (Hg.), Hans Stauffacher (Hg.), Form

In: Ilka Brombach (Hg.), Dirk Setton (Hg.), Cornelia Temesvári (Hg.), »Ästhetisierung«

In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

In: Sandra Umathum (Hg.), Benjamin Wihstutz (Hg.), Disabled Theater

In: Matthias Grotkopp (Hg.), Hermann Kappelhoff (Hg.), Benjamin Wihstutz (Hg.), Geschmack und Öffentlichkeit

In: Matthias Grotkopp (Hg.), Hermann Kappelhoff (Hg.), Benjamin Wihstutz (Hg.), Geschmack und Öffentlichkeit

7–10

Sandra Umathum, Benjamin Wihstutz

13–30

Gerald Siegmund

35–50

Benjamin Wihstutz

55–56

Yvonne Rainer

61–80

Scott Wallin

85–94

99–112

Sandra Umathum

117–138

Kai van Eikels

141–160

André Lepecki

163–174

Jérôme Bel, Sandra Umathum, ...

179–198

Kati Kroß

201–224

Lars Nowak

227–240

Yvonne Schmidt

241–242

Figures

243–246

Contributors