Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1637 of 3286 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 311 of 634 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 795 of 1602 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1141 of 2294 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1015 of 2042 bytes [CORE/cake/libs/cache/file.php, line 190]
diaphanes

Nutzerkonto

Marivi Véliz: Feeling Presences: Regina José Galindo’s Acts of Becoming Someone Else, Something Else
Feeling Presences: Regina José Galindo’s Acts of Becoming Someone Else, Something Else
(S. 177 – 194)
p€ 9,95

Marivi Véliz

Feeling Presences: Regina José Galindo’s Acts of Becoming Someone Else, Something Else

PDF, 18 Seiten, 0.0 MB

  • Gegenwartskunst
  • Widerstand
  • Protestbewegungen
  • Künstlerische Praxis

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Marivi Véliz

Marivi Véliz holds a PhD in Literary, Cultural and Linguistics Studies (University of Miami, 2021) and a BA in Art History (Havana University, 1999), with experience in Cultural Anthropology (2000–2002). In 2003, she moved to Guatemala to work as a contemporary Latin American art lecturer, curator, journalist, and independent researcher in the Central American region. Currently, she is a Visiting Professor at Wichita State University and is working on her book project Healing, Deceleration, and the Digital, which focuses on the connections between the Americas through performance and media studies.
Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
b€ 25,00 p€ 25,00

Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), Ulrike Jordan (Hg.), Thorsten Schneider (Hg.), Judith Sieber (Hg.), Nele Wulff (Hg.)

On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Broschur, 384 Seiten

PDF, 384 Seiten, 0.0 MB

What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes. These scenes are organized under three parts that structure the chapters: Passivity, Failure, and Refusal; Disappearance and Remembrance; Resilience and Resistance. Through interviews, artistic and literary texts, visual contributions, and academic texts, the authors explore various modalities of withdrawal ranging from a silencing of critical voices to a political and aesthetic strategy of refusal. The enforced disappearance of government opponents, for instance, may be implemented as a means of state violence, but withdrawing may also mean the decision not to participate in such violence, either through forms of passivity or refusal. Moreover, in the neoliberal logic of resilience, the relationship between subjective agency and imposition from the outside remains tense. The aim of this book is to tackle these tensions, as well as the ambiguities and complexities of withdrawal.

Inhalt