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p€ 14,95

Bruce Naumans ›Body Pressure‹ und das Scharnier

Amelia Jones

Kunsthandeln
Bruce Naumans ›Body Pressure‹ und das Scharnier

Übersetzt von Sven Koch

PDF, 22 Seiten, 0.0 MB

Amelia Jones fokussiert sich auf eine Arbeit Bruce Naumans aus den 1970er Jahren, die den Galeriebesucher zu einer bestimmten Handlung auffordert. Daran arbeitet sie heraus, wie diese Aufforderung – noch bevor ihr nachgekommen wird, aber auch im Zuge ihrer Ausführung – binäre Entgegensetzungen wie diejenigen von Künstler und Betrachter, Körper und Raum oder Idee und Ausführung unterläuft und auf diese Weise die Neusituierung des Subjekts zu sich selbst und zu seiner Umgebung provoziert.

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Amelia Jones

Amelia Jones is Robert A. Day Professor of Art & Design at University of Southern California, Los Angeles. Recent publications include Queer Communion: Ron Athey (2021), co-edited with Andy Campbell (accompanying a retrospective of Athey’s work, which she curated); and In Between Subjects: A Critical Genealogy of Queer Performance (2021). She is writing a book entitled Against Cultural Capitalism, which addresses the structural racism and neoliberalism of the art world and university, as well as organizing an exhibition of the work of Ken Gonzales-Day, to open at USC Fisher Museum, Los Angeles, in 2025.

Weitere Texte von Amelia Jones bei DIAPHANES

• 

  Performing Absence as Intervention: The Case of Lee Lozano

  In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action

  pgratis
• 

  The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune

  In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action

  pgratis

b€ 40,00 p€ 40,00

Karin Gludovatz (Hg.), Michael Lüthy (Hg.), Bernhard Schieder (Hg.), Dorothea von Hantelmann (Hg.)

Kunsthandeln

Broschur, 192 Seiten

PDF, 192 Seiten, 0.0 MB

In der Moderne und zunehmend seit den 1960er Jahren verlagert sich in der Kunst die Aufmerksamkeit vom finalen Werk auf den Prozess des Produzierens. Dieser ist nicht ­Mittel zum Zweck, sondern gewinnt, in Analogie zu Aufführungspraktiken, Eigenwertigkeit. Im selben Zuge avanciert der kontemplative Betrachter zum Teilhaber, ja, zum ›Mithandelnden‹ des Kunstwerkes. Auch die Kunst insgesamt wird als prozessual begriffen: als ein gesellschaftlicher Bereich, der unterschiedlichste Akteure involviert und beständigen Begriffs- und Verfahrensänderungen unterliegt.

Aus diesen Prozessualisierungen resultiert ein neuartiges Verhältnis von ›Kunst‹ und ›Handeln‹. Handeln wird zu einem Medium der Kunst, zugleich wird Kunst als Medium des (gesellschaftlichen) Handelns neu bestimmt. Diesen beiden Aspekten des Verhältnisses von ›Kunst‹ und ›Handeln‹ ist dieser Sammelband gewidmet. Sein erster Teil fragt nach dem Status von (Alltags-)Handlungen in der Kunst, sein zweiter nach den Möglichkeiten, Kunst als eine Form des Handelns zu begreifen, das Wirklichkeiten erzeugt oder verändert.

Inhalt

• 7–12

  Handeln als Kunst und Kunst als Handeln. Zur Einführung

  Michael Lüthy, Dorothea von Hantelmann

  pgratis

• 15–36

  Kunsthandeln. Bruce Naumans ›Body Pressure‹ und das Scharnier

  Amelia Jones

  p€ 14,95

• 37–58

  Alltagshandlungen und Kunstentgrenzung bei Allan Kaprow

  Bernhard Schieder

  p€ 14,95

• 59–72

  Der Museumsbesucher als Erfahrungsgestalter

  Sandra Umathum

  p€ 9,95

• 73–86

  R. S. V. P.. Louise Lawler und die Kunst des Einladens

  Beatrice von Bismarck

  p€ 9,95

• 87–102

  Der Akt der »Aktion«. Über möglicherweise künstlerische Handlungen im Kontext von ’68

  Dirck Linck

  p€ 9,95

• 105–121

  Kunst als Lebensspiegel

  Martin Warnke

  p€ 9,95

• 123–132

  Überschätzt, unterfordert. Mit der Kunst zur Revolution?

  Wolfgang Ullrich

  p€ 7,95

• 133–149

  Kunsthandlungen am Beispiel von ›Experiments in Art and Technology (E.A.T.)‹ und der Idee des emanzipierten Zuschauers

  Bettina Funcke

  p€ 9,95

• 151–163

  Action! Passion! Art!. Über das Trompe-l’oeil als Prozess

  Robert Pfaller

  p€ 9,95

• 165–180

  Stil als Ort. Eine Neudefinition der Frage nach Kunst und Sozialität

  Ina Blom

  p€ 9,95

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