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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
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Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
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Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Dorota Sajewska: Performing Periphery or the Ambivalence of Demodernization. Notes on Artur Żmijewski’s Film

Performing Periphery or the Ambivalence of Demodernization. Notes on Artur Żmijewski’s Film "Glimpse"
(S. 327 – 364)

p€ 14,95

Dorota Sajewska

Performing Periphery or the Ambivalence of Demodernization. Notes on Artur Żmijewski’s Film "Glimpse"

PDF, 38 Seiten, 0.0 MB

Gerechtigkeit
Performance
Gewalt
Denkt Kunst
Politik
Kollektives Gedächtnis
Menschenrechte

Dorota Sajewska

Dorota Sajewska ist Professorin für Theater- und Performance Studies an der Ruhr-Universität Bochum. Von 2016 bis 2023 war sie Assistenzprofessorin für Interart an der Universität Zürich und für Theater und Performance an der Universität Warschau. Ihre Forschungsschwerpunkte sind performative Künste, Körperanthropologie und Dekolonisierung des Wissens. Sie ist Autorin zahlreicher Texte zu performativen Praktiken, Theorien und Archiven, darunter die Monographie Necroperformance. Cultural Reconstruction of the Body (2019) und der Sammelband Crisis and Communitas. Performative Concepts of Commonality in Art and Politics (2023). Von 2008-2012 war sie Chefdramaturgin und stellvertretende künstlerische Leiterin des Teatr Dramatyczny in Warschau. Seit 2019 arbeitet sie als Dramaturgin mit Alexandra Bachzetsis zusammen. Gemeinsam mit Fabienne Liptay gründete sie 2024 das Institute for Performance and Film Expanded - eine Plattform für die transformative Kraft transdisziplinären Denkens und Kunst.

Sandra Frimmel (Hg.), Artur Zmijewski, ...: Kunst als Alibi

Weitere Texte von Dorota Sajewska bei DIAPHANES

Körper-Gedächtnis, Körper-Archiv: Der Körper als Dokument in künstlerischen Rekonstruktionspraktiken
In: Magdalena Marszałek (Hg.), Dieter Mersch (Hg.), Seien wir realistisch

p€ 14,95
Nekroperformanz: Theorie als Rest
In: Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.), Ästhetische Theorie

p€ 9,95
Necroperformance: Theory as Remains
In: Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.), Aesthetic Theory

p€ 7,95
The Anthropo-scene as a Site of New Relationality
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis

b€ 45,00 p€ 45,00

Liliana Gómez (Hg.)

Performing Human Rights
Contested Amnesia and Aesthetic Practices in the Global South

Broschur, 384 Seiten

PDF, 384 Seiten, 0.0 MB

The invisibilization of political violence, its material traces and spatial manifestations, characterize (post)conflict situations. Yet counter-semantics and dissonant narratives that challenge this invisibility have been articulated by artists, writers, and human rights activists that increasingly seek to contest the related historical amnesia. Adopting “performance” as a concept that is defined by repetitive, aesthetic practices—such as speech and bodily habits through which both individual and collective identities are constructed and perceived (Susan Slyomovics)—this collection addresses various forms of performing human rights in transitional situations in Spain, Latin America, and the Middle East. Bringing scholars together with artists, writers, and curators, and working across a range of disciplines, Performing Human Rights addresses these instances of omission and neglect, revealing how alternate institutional spaces and strategies of cultural production have intervened in the processes of historical justice and collective memory.

With contributions by Zahira Aragüete-Toribio, Pauline Bachmann, Vikki Bell, Liliana Gómez, Joscelyn Jurich, Uriel Orlow, Friederike Pannewick, Elena Rosauro, Dorota Sajewska, Stephenie Young.

Inhalt

7–28

Performing Human Rights. An Introduction

Liliana Gómez

p€ 14,95
31–68

Forensic Encounters Amidst Impunity: Investigating Mass Crimes in Post-Franco Spain

Zahira Aragüete-Toribio

p€ 14,95
69–100

Taking the Risk of Images, After All: Between Form and Formlessness at the Espacio Memoria y Derechos Humanos, ex-ESMA, Argentina

Vikki Bell

p€ 14,95
101–138

Beyond the Courtroom: On Dust, Haunting, and the Archive

Liliana Gómez

p€ 14,95
141–166

The Poetics and Politics of the Body in Pain. Sinan Antoon’s Novel "The Corpse Washer"

Friederike Pannewick

p€ 14,95
167–206

To Speak of the Silence of a Country. An Approach to Spanish Contemporary Artistic Practices Related to History and Memory

Elena Rosauro

p€ 14,95
207–240

Boundary-Aesthetics: Obscured Scenographies of Violence at the US/Mexican Border

Stephenie A. Young

p€ 14,95
243–296

Performing "Karama": Abounaddara’s Emergency Cinema in Theory and Praxis

Joscelyn Jurich

p€ 14,95
297–326

The Subversive Potential of Opacity: "poema/processo" and "3Nós3’s" Artistic Strategies during Brazil’s Military Dictatorship

Pauline Bachmann

p€ 14,95
327–364

Performing Periphery or the Ambivalence of Demodernization. Notes on Artur Żmijewski’s Film "Glimpse"

Dorota Sajewska

p€ 14,95
365–378

Letter from Lubumbashi

Uriel Orlow

p€ 9,95
379–384

Authors

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Magdalena Marszałek (Hg.), Dieter Mersch (Hg.), Seien wir realistisch

In: Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.), Ästhetische Theorie

In: Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.), Aesthetic Theory

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

7–28

Liliana Gómez

31–68

Zahira Aragüete-Toribio

69–100

Vikki Bell

101–138

Liliana Gómez

141–166

Friederike Pannewick

167–206

Elena Rosauro

207–240

Stephenie A. Young

243–296

Joscelyn Jurich

297–326

Pauline Bachmann

327–364

Dorota Sajewska

365–378

Uriel Orlow

379–384

Authors