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Model::schema() - CORE/cake/libs/model/model.php, line 938
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ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
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Model::__construct() - CORE/cake/libs/model/model.php, line 491
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Model::__construct() - CORE/cake/libs/model/model.php, line 491
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Model::schema() - CORE/cake/libs/model/model.php, line 938
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DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 155
Model::schema() - CORE/cake/libs/model/model.php, line 938
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DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 155
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
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DataSource::__cacheDescription() - CORE/cake/libs/model/datasources/datasource.php, line 475
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 155
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
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DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 155
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
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Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
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Model::__construct() - CORE/cake/libs/model/model.php, line 491
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
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Controller::constructClasses() - CORE/cake/libs/controller/controller.php, line 501
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[main] - APP/webroot/index.php, line 113

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Alexandra Gelis: Sirenian Drift: Archival Material from a Future River

Sirenian Drift: Archival Material from a Future River
(S. 289 – 324)

p€ 14,95

Alexandra Gelis

Sirenian Drift: Archival Material from a Future River

PDF, 36 Seiten, 0.0 MB

Lebenswissenschaften
Musik
Medienwissenschaft
Sound
Kulturwissenschaft
Sirene
Kunstgeschichte
Stimme
Literaturwissenschaft
Filmästhetik
Kulturgeschichte
Filmerfahrung
wissenschaft

Alexandra Gelis

Alexandra Gelis ist eine kolumbianisch-venezolanisch-kanadische Medienkünstlerin, deren forschungs- und prozessorientierte Praxis von Film, Fotografie, Zeichnung zu Medien- und Soundinstallationen reicht. Ihre Filme und modular-immersiven Non-Fiction-Installationen erforschen die Ökologie diverser Landschaften durch persönliche Feldforschung und soziopolitische Interventionen. Gelis arbeitet mit Gemeinschaften in ganz Amerika zusammen und konzentriert sich dabei auf die Wechselverhältnisse zwischen Pflanzen, Menschen und Macht im Kontext von Kolonialisierung und Globalisierung. Ihr Konzept der Migrant Plants erforscht Pflanzen als politische Verbündete im Kampf gegen Kolonialismus, Krieg sowie Migrations- und Rassenregime und dokumentiert das autonome Verhalten dieser Pflanzen. Gelis' Projekte wurden in Nord- und Südamerika, Europa und Afrika ausgestellt. Sie hat einen Doktortitel in Environmental Studies and Urban Change.

Weitere Texte von Alexandra Gelis bei DIAPHANES

AGUA: Encuentros para 600 Movimientos / WATER: Encounters for 600 Movements
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis

p€ 50,00 b€ 45,00

Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.)

The Sirenic: Follow the Water, Follow the Sound
Essays and Studies Across Film and the Arts

PDF, 512 Seiten, 0.0 MB

Broschur, 528 Seiten

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

Inhalt

9–28

The Sirenic: An Introduction

Giuseppe Di Salvatore, Fabienne Liptay
31–54

The Oblivion Givers and the Wonder of Voice: Sirens and Other Enchanting Vocalities

Roberta Ioli

p€ 14,95
55–82

The Art of Sirens, the Sirens of Art: All That We See or Seem / Is But a Dream within a Dream

Burcu Dogramaci

p€ 14,95
83–98

Bodies of Voice: Notes on the Sirens and the Politics of Voice

Elena Biserna

p€ 9,95
99–128

On the Higher Frequencies

Fabienne Liptay

p€ 14,95
129–182

Logbook – with an Addendum on Giovanni Fusco and Michelangelo Antonioni by Giuseppe Di Salvatore

Ruth Baettig

p€ 14,95
185–216

Zombie Mermaids—A Song for Future Waters: Libretto for a Performance

Magali Dougoud

p€ 14,95
217–236

How the Sirens Lost Their Wings: Hearing and Mishearing Siren Songs in Film, Music, and Theory

Mattia Capelletti

p€ 9,95
237–250

Joan Jonas: The Mermaid (and the Merman) through the Looking Glass

Alice Ongaro Sartori

p€ 9,95
251–264

Listening to the Anguane, and Chiara Ceconello’s Aganis

Davide Tolfo

p€ 9,95
265–288

Our Bodies; of Water

Dalida María Benfield

p€ 14,95
289–324

Sirenian Drift: Archival Material from a Future River

Alexandra Gelis

p€ 14,95
327–354

Coexistence: A Sirenic Conversation

Caroline Courrioux, Pauline Julier

p€ 14,95
355–374

Tongues and Tentacles: A Conversation between the Sirens and the Octopus about Orientalism and the Art of Seducing Humans

Matthias Maria Wittmann

p€ 9,95
377–400

Sirenic Rhapsody: Odysseus’s Exhaustion and the Prosodic Breath

Giuseppe Di Salvatore

p€ 14,95
401–422

The Audibility of the Siren: A Trajectory

Tobias Gerber

p€ 14,95
423–440

On the Fascination of the Sirenic, Listening, and Other Forms of Knowledge

Gabriel Paiuk

p€ 9,95
441–466

Sirens: Voices of Liberation. On Hans Werner Henze’s The Raft of the Medusa

Ute Holl

p€ 14,95
467–500

Sirenic Design

Lidia Gasperoni

p€ 14,95
501–516

Sirenic Debris

Alexandra Tsiamparta

p€ 9,95

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

9–28

Giuseppe Di Salvatore, Fabienne Liptay

31–54

Roberta Ioli

55–82

Burcu Dogramaci

83–98

Elena Biserna

99–128

Fabienne Liptay

129–182

Ruth Baettig

185–216

Magali Dougoud

217–236

Mattia Capelletti

237–250

Alice Ongaro Sartori

251–264

Davide Tolfo

265–288

Dalida María Benfield

289–324

Alexandra Gelis

327–354

Caroline Courrioux, Pauline Julier

355–374

Matthias Maria Wittmann

377–400

Giuseppe Di Salvatore

401–422

Tobias Gerber

423–440

Gabriel Paiuk

441–466

Ute Holl

467–500

Lidia Gasperoni

501–516

Alexandra Tsiamparta