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Ines Kleesattel: The Archive: Knowledge Producers, Powerful Machines, Testimony Functions
The Archive: Knowledge Producers, Powerful Machines, Testimony Functions
(S. 87 – 100)

Ines Kleesattel

The Archive: Knowledge Producers, Powerful Machines, Testimony Functions

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DE

  • Digitale Kultur
  • Massenmedien
  • Algorithmen
  • Kulturelle Praxis
  • Kulturindustrie
  • Digitalisierung
  • Digitale Medien

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Deutsch

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Ines Kleesattel

Ines Kleesattel

Ines Kleesattel is a scholar of critical aesthetic studies with a background in philosophy, cultural studies, art education, and artistic research. Her work addresses relational practices of critique, situated aesthetics, queer-feminist ways of doing theory, and methods of artistic research. Since 2023 she is a professor at Basel Academy of Art and Design. Before, she was a guest professor at Academy of Fine Arts Stuttgart, a senior Researcher at University of Applied Arts Vienna as well as at Zurich University of the Arts. Kleesattel holds a PhD in Aesthetics/Philosophy. As a post-doc, she contributed to the SNSF project Aesthetics of Translocality. Recently, she has published on the topics of queer-feminist witchery as critical fabulation and on landscaping as a relational practice.
Weitere Texte von Ines Kleesattel bei DIAPHANES
Ines Kleesattel (Hg.), Ruedi Widmer (Hg.): Scripted Culture

When we look at the cultural public sphere through the lens of digitalization, a paradoxical picture emerges: the cultural public sphere is simultaneously exploding and imploding; the most essential objectives of the Enlightenment have been attained and yet are in danger; platforms and algorithms are vehicles both for self-determination and for heteronomy. Long-standing values from the Enlightenment values and new realities, the citizen and the consumer, rational systems of humans and machines alike are both separate in inextricable from one another in this picture.

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