Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 4632 of 4646 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 3106 of 6224 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 950 of 1926 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 762 of 776 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 950 of 964 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 723 of 1458 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1173 of 2358 bytes [CORE/cake/libs/cache/file.php, line 190]
diaphanes

Nutzerkonto

Jens Andermann (Hg.), Lisa Blackmore (Hg.), ...: Natura: Environmental Aesthetics After Landscape
p€ 50,00

Jens Andermann (Hg.), Lisa Blackmore (Hg.), Dayron Carrillo Morell (Hg.)

Natura: Environmental Aesthetics After Landscape

Broschur, 296 Seiten

Vergriffen

PDF, 296 Seiten, 0.0 MB

Entangled with the interconnected logics of coloniality and modernity, the landscape idea has long been a vehicle for ordering human-nature relations. Yet at the same time, it has also constituted a utopian surface onto which to project a space-time ‘beyond’ modernity and capitalism. Amid the advancing techno-capitalization of the living and its spatial supports in transgenic seed monopolies, fracking and deep sea drilling, biopiracy, geo-engineering, aesthetic-activist practices have offered particular kinds of insight into the epistemological, representational, and juridical framings of the natural environment. This book asks in what ways have recent bio and eco-artistic turns moved on from the subject/object ontologies of the landscape-form? Moving from botanical explorations of early modernity, through the legacies of mid-twentieth century landscape design, up to artistic experimental recodings of New World nature in the 1960s and 1970s and to present struggles for environmental rights and against the precarization of the living, the critical essays and visual contributions included in Natura attempt to push thinking past fixed landscape forms through interdisciplinary encounters that encompass analyses of architectural sites and artworks; ecocritical perspectives on literary texts; experimental place-making practices; and the creation of material and visual ecologies that recognise the agency of non-human worlds.

Inhalt
  • Ökologie
  • Ästhetik
  • Kunsttheorie
  • Kulturkritik
  • Architektur

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Jens Andermann

is a Professor of Spanish and Portuguese at New York University. He was previously Chair of Latin American Studies at the University of Zurich. He is the author of several books. His monograph Tierras en trance is forthcoming in 2017.
Weitere Texte von Jens Andermann bei DIAPHANES

Lisa Blackmore

Lisa Blackmore is senior lecturer in art history and interdisciplinary studies at the University of Essex. She is the founder-director of entre—ríos, a confluence of arts research, curatorial, editorial, and pedagogical projects that explores continuities between bodies of water, human bodies, and territories, recognizing rivers as active subjects that produce aesthetic forms, transform landscapes and shape memory. In 2023, Lisa was a British Academy Mid-Career for her project “Imagining the Hydrocommons: Water, Art and Infrastructure in Latin America.” She has published Spectacular Modernity: Dictatorship, Space and Visuality in Venezuela (University of Pittsburgh Press, 2017) and co-edited Hydrocommons Cultures: Art, Pedagogy and Cultures of Care in the Americas (LA ESCUELA_, 2024), Liquid Ecologies in Latin American and Caribbean Arts (Routledge, 2020), and Natura: Environmental Aesthetics After Landscape (diaphanes, 2018) among other books. Lisa received her MA Latin American Cultural Studies and PhD Spanish from Birkbeck College.
Weitere Texte von Lisa Blackmore bei DIAPHANES

Dayron Carrillo Morell

is a PhD candidate at Universität Zürich. After studying Art History at the University of Havana, he obtained his masters degree in Art History and Hispanic Studies at Zurich. From 2014–2017 he was a research assistant on the project Modernity and the Landscape in Latin America: Politics, Aesthetics, Ecology. His research explores the dialogic relationships between the built environment and Mexican and Cuban architectural modernism. He is a contributor to the book Beyond Tradition, Beyond Invention: Cosmic Technologies and Creativity in Contemporary Afro-Cuban Religion (2015).
Weitere Texte von Dayron Carrillo Morell bei DIAPHANES
Zurück