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b€ 49,95 p€ 49,95

Urte Krass (Hg.)

Visualizing Portuguese Power
The Political Use of Images in Portugal and its Overseas Empire (16th–18th Century)

Gebunden, 312 Seiten

PDF, 312 Seiten, 0.0 MB

The Political Use of Images

Images have always played a vital role in political communication and in the visualization of power structures and hierarchies. They gain even more importance in situations where non-verbal communication prevails: In the negotiation processes between two (or more) different cultures, the language of the visual is often thought of as the most effective way to acquaint (and overpower) the others with one’s own principles, beliefs, and value systems. Scores of these asymmetrical exchange situations have taken place in the Portuguese overseas empire since its gradual expansion in the 16th century.
This book offers new insights into the broad and differentiated spectrum of functions images could assume in political contexts in those areas dominated by the Portuguese in early modern times. How were objects and artifacts staged and handled to generate new layers of meaning and visualize political ideas and concepts? And what were the respective reasons, means, and effects of the visualization of Portuguese power and politics?

Inhalt

• 7

  Preface and Acknowledgements

• 9–18

  Visualizing Portuguese Power. Between Imperial Agenda and Agency of the Image. An Introduction

  Urte Krass

  pgratis

• 19–48

  Artistic Images and Objects as Agents of Politics and Religion. The Foundation Stone of the Convent of Saint Monica in Goa and the Processional Standard with the Miracle of the Crucified Christ

  Carla Alferes Pinto

  p€ 14,95

• 49–73

  Calligraphy and the Royal Emblems. An Analysis of Portuguese and Brazilian Painted Manuscripts in the 18th Century

  Márcia Almada

  p€ 14,95

• 75–86

  Imperial Propaganda and the Representation of Otherness in Portugal in the Early Modern Times

  Maria Berbara

  p€ 9,95

• 87–117

  'Dressed Up' in 17th Century Goa

  Pamila Gupta

  p€ 14,95

• 119–140

  Allegory and Narrative. Two Bengal ›Colchas‹ and the Independence of Portugal

  Barbara Karl

  p€ 14,95

• 141–171

  Loyalty Made Visible. Pyrotechnics and Processions for King John IV in Macao in 1642

  Urte Krass

  p€ 14,95

• 173–195

  Stones of Contention. Factions, Statues, and the Political Use of Memory in Early Modern Goa

  Giuseppe Marcocci

  p€ 14,95

• 197–234

  Building the Image of the Portuguese Empire. The Power of Quadratura Painting in Colonial Brazil

  Giuseppina Raggi

  p€ 14,95

• 235–260

  Book Illustrations and the Politics of Publishing. A Survey of the Illustrations for the Lisbon Editions of the ›Asia Portuguesa‹ and ›Europa Portuguesa‹ by Manuel de Faria e Sousa

  Jeremy Roe

  p€ 14,95

• 261–287

  From Descriptive/Verbal to Pictorial Visualizations. Appropriating Images of Nature in the Portuguese Empire in Asia (16th and 17th Centuries)

  Ines G. Županov

  p€ 14,95

• 289–295

  Afterword. Artifacts and Their Political Meaning—Political Iconography and Globalization

  Jens Baumgarten

  p€ 7,95

• 297–300

  Contributors

• 301–309

  Index

• Ikonographie
• 18. Jahrhundert
• 17. Jahrhundert
• Machtanalytik
• Portugal
• Kunstgeschichte
• Bildtheorie

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Urte Krass

ist Wissenschaftliche Assistentin am Institut für Kunstgeschichte der Ludwig-Maximilians-Universität München. Ihre Forschungen widmen sich dem Heiligenbild von der Ikone bis zur Fotografie, der frühen Kunsttheorie in italienischen Novellen des 14. Jahrhunderts sowie aktuell dem politischen Bildgebrauch im portugiesischen Kolonialreich in der Frühen Neuzeit.

b€ 50,00 p€ 50,00

Weitere Texte von Urte Krass bei DIAPHANES

• 

  Strukturwandel der Öffentlichkeit. Piero della Francescas »Flagellazione« als Schaustück für die Unerbittlichkeit der Perspektive

  In: Beate Fricke (Hg.), Urte Krass (Hg.), The Public in the Picture / Das Publikum im Bild

  p€ 9,95
• 

  Visualizing Portuguese Power. Between Imperial Agenda and Agency of the Image. An Introduction

  In: Urte Krass (Hg.), Visualizing Portuguese Power

  pgratis
• 

  Loyalty Made Visible. Pyrotechnics and Processions for King John IV in Macao in 1642

  In: Urte Krass (Hg.), Visualizing Portuguese Power

  p€ 14,95
• 

  The Public in the Picture. An Introduction

  In: Beate Fricke (Hg.), Urte Krass (Hg.), The Public in the Picture / Das Publikum im Bild

  pgratis

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