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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
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Model::schema() - CORE/cake/libs/model/model.php, line 938
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Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Controller::loadModel() - CORE/cake/libs/controller/controller.php, line 634
Controller::constructClasses() - CORE/cake/libs/controller/controller.php, line 501
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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Controller::loadModel() - CORE/cake/libs/controller/controller.php, line 634
Controller::constructClasses() - CORE/cake/libs/controller/controller.php, line 501
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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
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DataSource::__cacheDescription() - CORE/cake/libs/model/datasources/datasource.php, line 475
DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142

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Cache::read() - CORE/cake/libs/cache.php, line 362
DataSource::__cacheDescription() - CORE/cake/libs/model/datasources/datasource.php, line 475
DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
Model::__createLinks() - CORE/cake/libs/model/model.php, line 638
Model::__construct() - CORE/cake/libs/model/model.php, line 491
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Model::__constructLinkedModel() - CORE/cake/libs/model/model.php, line 667
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ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Carl Abrahamsson, Genesis Breyer P-Orridge: ‘Art should be the equivalent of being called to be a shaman or a priest’

‘Art should be the equivalent of being called to be a shaman or a priest’
(S. 37 – 52)

p€ 9,95

Carl Abrahamsson, Genesis Breyer P-Orridge

‘Art should be the equivalent of being called to be a shaman or a priest’
In conversation with Carl Abrahamsson and Genesis Breyer P-Orridge

PDF, 16 Seiten, 0.0 MB

Esoterik
Ritual
Okkultismus
Gegenwartskunst
Spiritismus

Carl Abrahamsson

ist ein in Stockholm lebender schwedischer Autor und »occultural entrepreneur« und kooperiert seit Mitte der 1980er Jahre als Herausgeber, Musikproduzent, Filmemacher, Fotograf und Kurator mit einer Reihe von Künstler_innen. So arbeitete er beispielsweise mit Genesis Breyer P-Orridge in dem »occultural network« Thee Temple ov Psychick Youth und bei der Produktion von Platten und Büchern zusammen. Abrahamsson gibt die jährlich erscheinende Zeitschrift The Fenris Wolf heraus, die den Schnittstellen zwischen Kunst und Esoterik gewidmet ist. Eng verbunden mit The Fenris Wolf ist außerdem Carl Abrahamssons The Institute of Comparative Magico-anthropology, eine Mischung aus Archiv und Think Tank. Neben dem Schreiben und der Lehre liegt sein Fokus derzeit auf dem Filmemachen, vor allem im Rahmen der Dokumentarserie An Art Apart, die radikale Künstler_innen porträtiert. www.carlabrahamsson.com

Weitere Texte von Carl Abrahamsson bei DIAPHANES

Kontra Kontra heißt Pro – ein schwingendes Pendel
In: Susanne Witzgall (Hg.), Reale Magie

p€ 7,95
»Kunst sollte dazu aufrufen, Schamane oder Priester zu werden«
In: Susanne Witzgall (Hg.), Reale Magie

p€ 9,95
Contra Contra Means Pro – A Swinging Pendulum
In: Susanne Witzgall (Hg.), Real Magic

p€ 7,95

Genesis Breyer P-Orridge

(1950–2020) war Poetin, Musikerin, Performance-Künstlerin und Okkultistin und eine der schillerndsten Persönlichkeiten der 254 jüngeren Musikgeschichte. Sie war 1969 Mitbegründer_in von COUM Transmissions, einer subkulturellen Gruppe von britischen Musiker_in- nen, Undergroundfilmemacher_innen, Aktions- und Konzeptkünstler_innen, aus der 1975 die wegweisende Industrial-Band Throbbing Gristle entstand. Nach deren Auflösung gründete Genesis BreyerP- Orridge 1981 zusammen mit Peter ›Sleazy‹ Christopherson die Experimental-Band Psychic TV und war an der Begründung des okkulten Netzwerks Thee Temple ov Psychick Youth (TOPY) beteiligt. Zu Beginn der 1990er Jahre initiierten Genesis P-Orridge und Lady Jane Breyer P-Orridge ihr Pandrogeny Project, in dem beide ihre Erscheinungsformen immer stärker einander annäherten, und geschlechtliche Trennungen und Identifizierungen herausforderten bzw. aufzuheben trachteten. Das Padrogeny Project wurde auch nach Lady Janes Tod im Jahr 2007 von Genesis Breyer P-Orridge fortgesetzt. www.genesisbreyerporridge.com

Weitere Texte von Genesis Breyer P-Orridge bei DIAPHANES

»Kunst sollte dazu aufrufen, Schamane oder Priester zu werden«
In: Susanne Witzgall (Hg.), Reale Magie

p€ 9,95

p€ 30,00

Susanne Witzgall (Hg.)

Real Magic

PDF, 252 Seiten, 0.0 MB

In Western societies a newly discovered and very lively interest in magical practices and occult knowledge can be witnessed. The magical seems to be evolving into a popular phenomenon that affects society as a whole and is also becoming the subject of intense debate in artistic and academic-scientific contexts. The book Real Magic investigates the current realities of the magical in the contemporary arts, sciences and everyday culture. It explores the present Western residues and forms of magical practices, the current potentials of magical perception and thinking in a world largely determined by financialised instrumental reason, and also the drawbacks of occultism. The publication is the result of the fourth annual programme of the cx centre of interdisciplinary studies at the Academy of Fine Arts Munich.

Inhalt

9–11

Editor’s Preface

pgratis
13–28

Real Magic – An Introductory Approach

Susanne Witzgall

p€ 9,95
29–36

Contra Contra Means Pro – A Swinging Pendulum

Carl Abrahamsson

p€ 7,95
37–52

‘Art should be the equivalent of being called to be a shaman or a priest’. In conversation with Carl Abrahamsson and Genesis Breyer P-Orridge

Carl Abrahamsson, Genesis Breyer P-Orridge

p€ 9,95
53–58

Chance and the Discovery of Real Magic

Demdike Stare

p€ 7,95
59–72

Magical Consciousness: Reclaiming Magical Knowledge

Susan Greenwood

p€ 9,95
73–82

On Magic

Christoph Keller

p€ 7,95
83–90

‘We need to understand magic as a form of gaining knowledge’. In conversation with Susan Greenwood and Christoph Keller

Susan Greenwood, Christoph Keller

p€ 7,95
91–98

Of Scream Of Stone (Womb Tomb)

Mariechen Danz

p€ 7,95
99–113

F.I.R.E. (WALK WITH ME). Art and/as Real Magic

Verena Kuni

p€ 9,95
114–123

How the Plants Put a Spell on Us

Melanie Bonajo

p€ 7,95
124–129

Project Classes by Melanie Bonajo and Mariechen Danz

p€ 7,95
130–141

Magical Realism

Michael Taussig

p€ 9,95
142–152

Strategies of Magic

Annika Lundgren

p€ 9,95
153–168

Invocations of Matter – Contemporary Art and New Materialism as a Magical Diagram

Susanne Witzgall

p€ 9,95
169–172

Power of Magic, Magic of Power

Marco Pasi

p€ 5,95
173–178

‘It’s all about power, of course’. In conversation with Marco Pasi

Marco Pasi

p€ 7,95
179–187

Magic, Love and Fear in Making Art and Jewellery

Kadri Mälk

p€ 7,95
188–202

Trance, Rave, Ritual – The Museum of Trance in Haiti

Marietta Kesting

p€ 9,95
203–210

Magic by Design – Conjuring Media Realities

Jussi Parikka

p€ 7,95
211–218

The Non-natural Body, DrawnOnward and Techno-Shamanism

Jeremy Wade

p€ 7,95
219–225

‘I think of a neurological kind of nano-possession, if we’re talking about magic’. In conversation with Jussi Parikka and Jeremy Wade

Jussi Parikka, Jeremy Wade

p€ 7,95
226–237

Under the Spell of Digital Technologies: Dis/enchantment by Design

Karianne Fogelberg

p€ 9,95
239–245

The authors

pgratis
247–249

Photo Credits

pgratis

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Susanne Witzgall (Hg.), Reale Magie

In: Susanne Witzgall (Hg.), Reale Magie

In: Susanne Witzgall (Hg.), Real Magic

In: Susanne Witzgall (Hg.), Reale Magie

9–11

13–28

Susanne Witzgall

29–36

Carl Abrahamsson

37–52

Carl Abrahamsson, Genesis Breyer P-Orridge

53–58

Demdike Stare

59–72

Susan Greenwood

73–82

Christoph Keller

83–90

Susan Greenwood, Christoph Keller

91–98

Mariechen Danz

99–113

Verena Kuni

114–123

Melanie Bonajo

124–129

130–141

Michael Taussig

142–152

Annika Lundgren

153–168

Susanne Witzgall

169–172

Marco Pasi

173–178

Marco Pasi

179–187

Kadri Mälk

188–202

Marietta Kesting

203–210

Jussi Parikka

211–218

Jeremy Wade

219–225

Jussi Parikka, Jeremy Wade

226–237

Karianne Fogelberg

239–245

247–249