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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
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Model::schema() - CORE/cake/libs/model/model.php, line 938
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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
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Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Johannes Paul Raether: Augmented Embodiments

Augmented Embodiments
(S. 193 – 202)

p€ 7,95

Johannes Paul Raether

Augmented Embodiments

Übersetzt von Daniel Spaulding

PDF, 10 Seiten, 0.0 MB

Künstlerische Praxis
Kunst
Gegenwartskunst
Zukunft
Kunsttheorie

Johannes Paul Raether

lebt und arbeitet in Berlin. Während des Studiums an der Universität der Künste Berlin arbeitete der Künstler in verschiedenen selbstorganisierten Projekten, unter anderem der Freien Klasse. Von 2006 bis 2011 war er Mitorganisator des Artist-run Space basso und beteiligte sich an dessen kollektiven Performances. Zusammen mit dem Duo Discoteca Flaming Star organisierte er unterschiedliche Performance-Projekte heraus. Seine Arbeiten und Performances wurden u.a. im KUMU Art Museum, Tallinn (2010), Tensta Konsthall, Stockholm (2010), Kunsthaus Bregenz (2012), Hebbel am Ufer, Berlin (2012), KW Institute for Contemporary Art, Berlin (2013), Savvy Contemporary, Berlin (2014), Donau Festival Krems (2014), Foreign Affairs Festival der Berliner Festspiele (2015) und im Fridericianum Kassel (2015) präsentiert sowie in Einzelausstellungen, u.a. in der Galerie September, Berlin (2011), im Künstlerhaus Stuttgart (2012), im Ludlow 38, New York City (2014) und in der Transmission Gallery, Glasgow (2015). Raether veröffentlicht regelmäßig bei Texte zur Kunst und hatte 2013 eine Gastprofessur an der Hochschule für Bildende Künste Hamburg inne. Er erhielt u.a. den Villa Romana Kunstpreis (2015).

Weitere Texte von Johannes Paul Raether bei DIAPHANES

Augmented Embodiments
In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), Die Gegenwart der Zukunft

p€ 7,95
»Werdet parahuman!«. Im Gespräch mit Karin Harrasser und Johannes Paul Raether
In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), Die Gegenwart der Zukunft

p€ 4,95
"Become parahuman"
In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), The Present of the Future

p€ 7,95

b€ 30,00 p€ 30,00

Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.)

The Present of the Future

Broschur, 224 Seiten

PDF, 256 Seiten, 0.0 MB

The current outlook into the future seems to be largely informed by resignation and anxiety. The understandable scepticism which utopian visions of the future are met with today and the crisis ridden present give rise to nostalgic resorts to seemingly reliable ideas. The book The Present of the Future investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. How do they create potentials for change and for the imagination of possible futures beyond modernistic idealisms and romanticist projections into remote times? The Present of the Future is the result of the third annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.

Inhalt

9–11

Editors' Preface

Kerstin Stakemeier, Susanne Witzgall

pgratis
12–26

In Search of the Future. Introduction and Epilogue

Susanne Witzgall

p€ 9,95
27–32

Reality of the Future and Future Reality

Elena Esposito

p€ 7,95
33–40

"Plans will not help realise a projected future"

Elena Esposito, Nora Schultz

p€ 7,95
41–47

B-Levels

Nora Schultz

p€ 7,95
48–55

Project Class Nora Schultz

p€ 7,95
56–70

May You Live in Interesting Times

Andri Snær Magnason

p€ 9,95
71–78

"Cassandra is powerless"

Wolfgang Lucht, Andri Snær Magnason

p€ 7,95
79–90

Occupying the Future. Time and Politics in the Era of Clairvoyance Societies

Frédéric Neyrat

p€ 9,95
91–95

"Each time I believe that things are predictable I get sick"

Frédéric Neyrat, Kerstin Stakemeier, ...

p€ 7,95
96–108

Why the News Anyway

Jan St. Werner

p€ 9,95
109–117

"You cannot order scientific results like a pizza"

Hans-Jörg Rheinberger, Jan St. Werner

p€ 7,95
118–129

Negotiating the Future. Speculative Design between Claim and Reality

Karianne Fogelberg

p€ 9,95
130–136

"To explore the speculative is urgent and necessary"

Kerstin Stakemeier, Susanne Witzgall, ...

p€ 7,95
137–147

Infra-structuring the Future: Catastrophe, Crisis, Critique

Claudia Aradau

p€ 9,95
148–156

"The imaginary of catastrophe is actually incorporated more and more into the evereyday" ABO

Claudia Aradau, Daniel van der Velden

p€ 7,95
157–167

Catastrophic Reproduction: Science Fiction on the Far Side of the Subject

Kerstin Stakemeier

p€ 9,95
168–174

I'm that Angel

Tyler Coburn

p€ 7,95
175–183

Project Class Tyler Coburn

p€ 7,95
184–192

The Future of the Body

Karin Harrasser

p€ 7,95
193–202

Augmented Embodiments

Johannes Paul Raether

p€ 7,95
203–212

"Become parahuman"

Karin Harrasser, Johannes Paul Raether

p€ 7,95
213–218

The Authors
219–222

Table of Figures
223–224

Colophon

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), Die Gegenwart der Zukunft

In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), Die Gegenwart der Zukunft

In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), The Present of the Future

9–11

Kerstin Stakemeier, Susanne Witzgall

12–26

Susanne Witzgall

27–32

Elena Esposito

33–40

Elena Esposito, Nora Schultz

41–47

Nora Schultz

48–55

56–70

Andri Snær Magnason

71–78

Wolfgang Lucht, Andri Snær Magnason

79–90

Frédéric Neyrat

91–95

Frédéric Neyrat, Kerstin Stakemeier, ...

96–108

Jan St. Werner

109–117

Hans-Jörg Rheinberger, Jan St. Werner

118–129

Karianne Fogelberg

130–136

Kerstin Stakemeier, Susanne Witzgall, ...

137–147

Claudia Aradau

148–156

Claudia Aradau, Daniel van der Velden

157–167

Kerstin Stakemeier

168–174

Tyler Coburn

175–183

184–192

Karin Harrasser

193–202

Johannes Paul Raether

203–212

Karin Harrasser, Johannes Paul Raether

213–218

The Authors

219–222

Table of Figures

223–224

Colophon