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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
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[main] - APP/webroot/index.php, line 113

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Ursula Biemann: Devenir Universidad: Art, Indigenous Science and the Biocultural Reconstruction of Amazonian Knowledges

Devenir Universidad: Art, Indigenous Science and the Biocultural Reconstruction of Amazonian Knowledges
(S. 41 – 56)

p€ 9,95

Ursula Biemann

Devenir Universidad: Art, Indigenous Science and the Biocultural Reconstruction of Amazonian Knowledges

PDF, 16 Seiten, 0.0 MB

Ökonomie
Kunst
Digitale Kultur
Kulturkritik
Kapitalismus
Digitale Medien
Ökologie

Ursula Biemann

ist Künstlerin, Autorin und Video-Essayistin, sie lebt in Zürich. Ihre künstlerische Arbeit ist forschungsorientiert und umfasst Feldforschung an abgeschiedenen Orten, wo sie die politischen Ökologien von Wäldern, Öl und Wasser recherchiert. In ihrer Videopraxis verschränkt sie weite filmische Landschaften mit dokumentarischem Filmmaterial, Science-Fiction-Poesie und akademischen Untersuchungen zu einer Erzählung der sich verändernden planetaren Realität. Ihre Videoarbeiten wurden bei den internationalen Kunst-Biennalen in Istanbul, Liverpool, Sevilla, Shanghai, Gwangiu, Montreal und Venedig gezeigt und sind weltweit in Museen vertreten. 2013 hatte sie eine Einzelausstellung im Neuen Berliner Kunstverein n.b.k. Biemann ist Herausgeberin von Stuff it – The Video Essay in the Digital Age und anderen Büchern. Sie studierte an der School of Visual Arts und dem Whitney Independent Study Program in New York und ist Gründungsmitglied des kollaborativen Kunst- und Medienprojekts World of Matter. 2008 wurde ihr die Ehrendoktorwürde an der schwedischen Universität Umeå verliehen, 2009 erhielt sie den Schweizer Meret-Oppenheim-Preis. www.geobodies.org

Weitere Texte von Ursula Biemann bei DIAPHANES

Geomorphic Video
In: Jens Andermann (Hg.), Lisa Blackmore (Hg.), Dayron Carrillo Morell (Hg.), Natura: Environmental Aesthetics After Landscape

pgratis
»Weil man sich als völlig in die Biosphäre integriert vorstellt und vergessen hat, dass man vollkommen von anderen Lebensformen abhängt«. Im Gespräch mit Ursula Biemann und Timothy Morton
In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybride Ökologien

p€ 9,95
‘Because you think of yourself as totally integrated in bios and you’ve forgotten that you totally rely on other life forms’. In conversation with Ursula Biemann and Timothy Morton
In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybrid Ecologies

p€ 9,95
Devenir Universidad: An Ecocentric Project of Higher Education in the Colombian Rainforest
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis

Mathias Denecke (Hg.), Holger Kuhn (Hg.), ...: Liquidity, Flows, Circulation

b€ 25,00 p€ 25,00

Mathias Denecke (Hg.), Holger Kuhn (Hg.), Milan Stürmer (Hg.)

Liquidity, Flows, Circulation
The Cultural Logic of Environmentalization

Broschur, 360 Seiten

PDF, 360 Seiten, 0.0 MB

It has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity. Placed at the intersection of art, media and cultural studies as well as economic theory, the volume investigates the Cultural Logic of Environmentalization. As flows, circulations and liquidity resurface in all aspects of recent culture and contemporary art, this volume investigates the hypothesis of a genuine cultural logic of environmentalization through these three concepts.
It thus brings together two areas of research which have been largely separate. On the one hand, the volume takes up discussions about ecologies with and without nature and environmentalization as a contemporary form of power and capital. On the other hand, the volume takes its cue from Fredric Jameson’s notion that each stage of capitalism is accompanied by a genuine cultural logic. The volume introduces this current of materialist thinking into the ongoing discussions of ecologies and environmentalization. By analyzing contemporary art, architecture, theater, films, and literature, the 15 contributions by scholars and artists explore different fields where liquid forms, semantics of flow, or processes of circulation emerge as a contemporary cultural logic.

Inhalt

7–38

Introduction: The Cultural Logic of Environmentalization

Mathias Denecke, Holger Kuhn, ...

pgratis
41–56

Devenir Universidad: Art, Indigenous Science and the Biocultural Reconstruction of Amazonian Knowledges

Ursula Biemann

p€ 9,95
57–68

A Realist Aesthetic of the Sublime: Art, Environment and The Cultural Logic of the Anthropocene

Maryse Ouellet

p€ 9,95
79–96

The Cultural Logic of Green Capitalism: A New Coalition of Geo- and Chronopolitics

Katerina Genidogan

p€ 9,95
99–118

Utopias of Flow and Circulation in the Nineteenth Century: Phalansteries by Charles Fourier and Others

Martin Doll

p€ 9,95
119–140

“Where the Sun Does Not Reach, There the Doctor Will Appear” . Environmentalization in Gerhart Hauptmann’s "Before Daybreak"

Sebastian Kirsch

p€ 14,95
141–162

Critique de la Circulation: Remarks on the Design of Environments

p€ 14,95
165–180

In Turbid Environments

Esther Leslie

p€ 9,95
181–202

Besides One Flow: Quantum Virtuality, Entangled Becomings, and the De-coherence of Ontology

Christian Schwinghammer

p€ 14,95
203–218

Plasmaticness and the Boundaries of Human Perception

Beny Wagner

p€ 9,95
221–240

Flowing, Flooding, Fibbing: From Fluid Subjects to Environmental Becoming

Yvonne Volkart

p€ 9,95
241–258

The Im:permeable Sieve: Following Gendered Imaginaries of Containers and Leaks

Hannah Schmedes

p€ 9,95
259–276

Lead Fish Story: On the Cultural Logic of Fluidity in Architecture

Yannick Schütte

p€ 9,95
279–294

Circulation and the City Novel

Jacob Soule

p€ 9,95
295–312

The Sublime and the Logistical: Containment Strategies in the Aesthetics of Circulation

Stefan Yong

p€ 9,95
313–332

Essential Workers: Gigwork, Logistics, and the Sweated Labor of Circulation

Annie McClanahan

p€ 9,95
333–334

List of Illustrations
335–336

List of Color Plates
337–344

Contributors
345–360

Color Plates

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Jens Andermann (Hg.), Lisa Blackmore (Hg.), Dayron Carrillo Morell (Hg.), Natura: Environmental Aesthetics After Landscape

In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybride Ökologien

In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybrid Ecologies

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

7–38

Mathias Denecke, Holger Kuhn, ...

41–56

Ursula Biemann

57–68

Maryse Ouellet

79–96

Katerina Genidogan

99–118

Martin Doll

119–140

Sebastian Kirsch

141–162

165–180

Esther Leslie

181–202

Christian Schwinghammer

203–218

Beny Wagner

221–240

Yvonne Volkart

241–258

Hannah Schmedes

259–276

Yannick Schütte

279–294

Jacob Soule

295–312

Stefan Yong

313–332

Annie McClanahan

333–334

List of Illustrations

335–336

List of Color Plates

337–344

Contributors

345–360

Color Plates