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• Diaphanes

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Introduction
(S. 6 – 15)

pgratis

Sigrid Adorf, Sønke Gau, Basil Rogger

Introduction

PDF, 10 Seiten, 0.0 MB

• Publizieren
• Öffentlichkeit
• Gegenwartskunst
• Kunstvermittlung
• Kulturelle Praxis
• Digitale Kultur

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Sigrid Adorf

Sigrid Adorf ist Professorin und Leiterin des Forschungsschwerpunkts Kulturanalyse in den Künsten an der Zürcher Hochschule der Künste. Sie forscht, lehrt und publiziert zu Themen zeitgenössischer Kunst mit Fokus auf Politiken visueller Kultur und Praktiken der Kritik und ist Mitbegründerin von INSERT. Artistic Practices as Cultural Inquiries sowie Mitherausgeberin von FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur.

b€ 30,00 p€ 30,00

Weitere Texte von Sigrid Adorf bei DIAPHANES

• 

  Übersetzen

  In: Jens Badura (Hg.), Selma Dubach (Hg.), Anke Haarmann (Hg.), Dieter Mersch (Hg.), Anton Rey (Hg.), Christoph Schenker (Hg.), Germán Toro Pérez (Hg.), Künstlerische Forschung. Ein Handbuch

  p€ 4,95
• 

  Einleitung

  In: Sigrid Adorf (Hg.), Sønke Gau (Hg.), Basil Rogger (Hg.), going public.

  pgratis
• 

  Inside the Public. Gabriela Löffels Einsichten in private Nutzungsräume öffentlicher Ökonomien

  In: Sigrid Adorf (Hg.), Sønke Gau (Hg.), Basil Rogger (Hg.), going public.

  p€ 9,95
• 

  Inside the Public. Gabriela Löffel’s Insights into Private Usage of Public Economy Spaces

  In: Sigrid Adorf (Hg.), Sønke Gau (Hg.), Basil Rogger (Hg.), going public.

  p€ 9,95

Sønke Gau

Sønke Gau ist Kulturwissenschaftler, Kurator und Autor. Er arbeitet als Senior Researcher und stellvertretender Leiter am Forschungsschwerpunkt Kulturanalyse in den Künsten sowie Dozent an der Zürcher Hochschule der Künste. Arbeitsschwerpunkte sind die Einflüsse kritischer künstlerischer und kuratorischer Praktiken auf (Kunst-)Institutionen sowie die (Re-)Politisierung künstlerischer konzeptueller Praktiken.

b€ 30,00 p€ 30,00

Weitere Texte von Sønke Gau bei DIAPHANES

• 

  Einleitung

  In: Sigrid Adorf (Hg.), Sønke Gau (Hg.), Basil Rogger (Hg.), going public.

  pgratis

Basil Rogger

studierte Philosophie, Psychologie und Pädagogik an den Universitäten von Bern und Zürich. 1991–2000 war er tätig in Forschungsprojekten des Schweizerischen Nationalfonds zur Förderung der Wissenschaftlichen Forschung und 1998–2000 Mitglied des Research Department des Gottlieb Duttweiler Instituts für Wirtschaft und Gesellschaft. Seit 2000 arbeitet er selbstständig als Berater, Forscher, Herausgeber, Texter und Ausstellungsmacher an der Schnittstelle von Kultur und Wirtschaft. Seit 2003 ist er Dozent an der Zürcher Hochschule der Künste im Department Design und im Departement Kulturanalysen und Vermittlung. 2006–2009 war er Redaktionsleiter und seit 2009 ist er Produktionsleiter beim Lucerne Festival.

b€ 35,00 p€ 35,00

b€ 40,00

b€ 30,00 p€ 30,00

Weitere Texte von Basil Rogger bei DIAPHANES

• 

  Glossar

  In: Gabriela Muri (Hg.), Christian Ritter (Hg.), Basil Rogger (Hg.), Magische Ambivalenz

  pgratis
• 

  Geschichte keiner Ausstellung OPEN
  ACCESS

  In: Michel Mettler (Hg.), Basil Rogger (Hg.), Peter Weber (Hg.), Ruedi Widmer (Hg.), Stefan Zweifel (Hg.), Holy Shit
• 

  Einleitung

  In: Sigrid Adorf (Hg.), Sønke Gau (Hg.), Basil Rogger (Hg.), going public.

  pgratis

b€ 30,00 p€ 30,00

Sigrid Adorf (Hg.), Sønke Gau (Hg.), Basil Rogger (Hg.)

going public.
creating visibility in the field of art

Broschur, 228 Seiten

PDF, 228 Seiten, 0.0 MB

Inhalt

• 6–15

  Introduction

  Sigrid Adorf, Sønke Gau, ...

  pgratis

• 16–35

  Making Public/s. Imaging and Imagining Art Audiences

  Eva Kernbauer

  p€ 9,95

• 36–45

  The Commune in Presentist Democracy

  Isabell Lorey

  p€ 7,95

• 46–69

  “Who’s Going to Pick Up the Garbage on Monday Morning?” Maintenance and Reproductive Aesthetics

  Maria Muhle

  p€ 14,95

• 70–83

  Grey, Green, Gold and Red. Preface

  Uriel Orlow

  p€ 9,95

• 84–89

  On Grey, Green, Gold and Red

  Margarida Brito Alves

  p€ 7,95

• 90–119

  The Private Desk. When the Personal Becomes Visible, Language Becomes Public

  Tine Melzer

  p€ 14,95

• 120–135

  Inside the Public. Gabriela Löffel’s Insights into Private Usage of Public Economy Spaces

  Sigrid Adorf

  p€ 9,95

• 136–145

  Structurally Blocked Bellows. Periodicals that Bridge the Gaps Between the Art Field and Social Movements

  Jens Kastner

  p€ 7,95

• 146–165

  Originary Research Work. The Periodical Filmkritik and Its Publics

  Volker Pantenburg

  p€ 9,95

• 166–185

  Don’t Breathe Normal: Read Souffles!

  Marion von Osten

  p€ 9,95

• 186–193

  Books as Objects and Deferred Use-Value Promises in Art

  Stephan Geene

  p€ 7,95

• 194–205

  Bookness in the Arts. A Dialectical History of Urgent Publishing Experiments

  Geert Lovink

  p€ 9,95

• 206–215

  The Server is the Campfire. Feminist Critique of Infrastructure, Communality and the Cultural Paradigm of Circulation in Digital Infrastructures

  Shusha Niederberger

  p€ 7,95

• 216–225

  Self-observation

  Dirk Baecker

  p€ 7,95

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