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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
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DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
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Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
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Liliana Gómez: Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices

Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices
(S. 113 – 132)

p€ 9,95

Liliana Gómez

Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices

PDF, 20 Seiten, 0.0 MB

Subversion
Künstlerische Praxis
Medienästhetik

Liliana Gómez

Liliana Gómez ist Professorin an der Kunsthochschule Kassel und dem documenta Institut. Sie leitet das Forschungsprojekt "Contested Amnesia and Dissonant Narratives in the Global South: Post-Conflict in Literature, Art, and Emergent Archives", für das sie Förderung und die SNF-Förderungsprofessur vom Schweizerischen Nationalfond erhielt. Sie schreibt über Literatur-, Kultur- und Medientheorie der Gegenwart, Theorie und Geschichte der Moderne im besonderen mit Blick auf die Kunst, die Stadt und Botanik, Ästhetik und postkoloniale Studien, Memory Studies, Literatur, Kunst und Menschenrechte, die Visuellen Kulturen und environmental humanities. Kürzlich hat sie Performing Human Rights: Contested Amnesia and Aesthetic Practices in the Global South (diaphanes, 2021) herausgegeben und ist Mitherausgeberin von Liquid Ecologies in Latin American and Caribbean Art (Routledge, 2020). Zudem ist sie Autorin von Archive Matter: A Camera in the Laboratory of the Modern (diaphanes, 2023) Chefredakteurin des Magazins Latin American and Latinx Visual Culture.

Liliana Gómez (Hg.), Fabienne Liptay (Hg.): Eco-operations

Weitere Texte von Liliana Gómez bei DIAPHANES

Performing Human Rights. An Introduction
In: Liliana Gómez (Hg.), Performing Human Rights

p€ 14,95
Beyond the Courtroom: On Dust, Haunting, and the Archive
In: Liliana Gómez (Hg.), Performing Human Rights

p€ 14,95
Eco-operations: An Introduction
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis
Folding Landscapes and Critical Ecologies: Aesthetic Re-configurations of the Agrarian Past in Jumana Manna’s Artistic Work
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis
Folding Landscapes and Critical Ecologies: Aesthetic Re-configurations of the Agrarian Past in Jumana Manna’s Artistic Work
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis
Feralization of Curatorial Practices: The Encounter Between Community Activists and Curators of Memory Centers
In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

pgratis

b€ 35,00 p€ 35,00

Marie Sophie Beckmann (Hg.), Petra Löffler (Hg.)

Sub(e)merging: Experiences, Practices and Politics from below

Broschur, 262 Seiten

PDF, 262 Seiten, 0.0 MB

Whether it is the ocean, the ground or soil, a metaphorical or symbolic underworld or a political figure of thought, the subsurface intervenes in recent debates about ecological, social and postcolonial conflicts and power inequalities in the humanities and beyond. However, turning to the unstable grounds of the subterranean always involves a conceptual or methodological movement and a practice of submersion, and thus a critical reflection on the conditions, technologies, aesthetics and politics of knowledge production. It is precisely at this point that the volume picks up with approaches from the fields of artistic practice as well as media studies, art history, queer theory, and decolonial studies. From this transdisciplinary perspective, the anthology explores the medial, aesthetic, and material aspects of sub(e)merging as well as its potential as a resistant practice and figure of thought: from submerging as emerging.

With contributions by Pınar Asan, Özge Çelikaslan, Marie Sophie Beckmann, Liliana Gómez, Suza Husse, Johanna Laub, Petra Löffler, Friederike Nastold, Maryse Ouellet, Julia Schade, Hannah Schmedes, Martin Siegler, Amelie Wedel, and Verena Melgarejo Weinandt.

Inhalt

7–25

Introduction: From Submerging to Emerging

Marie Sophie Beckmann, Petra Löffler

pgratis
29–51

What Does It Take to Go Deep? The Oceanic and Its Conceptual Displacements

Julia Schade

p€ 14,95
53–72

Sinkholes: Ungrounding the Extractive View

Martin Siegler

p€ 9,95
73–88

Filming from a Snail’s-Eye View: Submerged Vision and the Observational Mode in Geographies of Solitude

Amelie Wedel

p€ 9,95
91–111

Some Kind of Bodies, Some Kind of Nature: Affective-Performative Aesthetics of Sub(e)mergence in Tejal Shah’s and Gauri Gill’s Work

Friederike Nastold

p€ 14,95
113–132

Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices

Liliana Gómez

p€ 9,95
133–155

Pocahunter and Karl May: A Conversation on Artistic Approaches to Unsettling Anti-Indigenous Stereotypes in German Performance and Pop Culture

Suza Husse, Verena Melgarejo Weinandt

p€ 14,95
173–189

“The Wet, Soggy, Boggy, Menacingly Undefined”: Queer Approaches Towards the Archive of the Bog

Hannah Schmedes

p€ 9,95
191–214

Attuning to Another’s Voice: Perspectivism in the Work of Esther Shalev-Gerz and Andrea Büttner

Maryse Ouellet

p€ 14,95
215–240

The Thresholds of Sub(e)merging: Contemporary Moving-Image Art and the Archive in Turkey

Pınar Asan, Özge Çelikaslan

p€ 14,95
241–258

Anarchival Repair: Luta Ca Caba Inda and the Sedimentation of a Film Archive

Johanna Laub

p€ 9,95

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Liliana Gómez (Hg.), Performing Human Rights

In: Liliana Gómez (Hg.), Performing Human Rights

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

In: Liliana Gómez (Hg.), Fabienne Liptay (Hg.), Eco-operations

7–25

Marie Sophie Beckmann, Petra Löffler

29–51

Julia Schade

53–72

Martin Siegler

73–88

Amelie Wedel

91–111

Friederike Nastold

113–132

Liliana Gómez

133–155

Suza Husse, Verena Melgarejo Weinandt

173–189

Hannah Schmedes

191–214

Maryse Ouellet

215–240

Pınar Asan, Özge Çelikaslan

241–258

Johanna Laub