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Elly Clarke: An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology

An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology
(S. 164 – 172)

p€ 7,95

Elly Clarke

An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology

PDF, 9 Seiten, 0.0 MB

Globale Ökologie
Kunsttheorie
Ökologie
Gegenwartskunst

Elly Clarke

ist Künstlerin und Forscherin. Der Fokus ihres multimedialen künstlerischen Schaffens liegt auf der Transformation des physischen Körpers in der digitalen, medialisierten Welt, den sie durch Performance, Video, Fotografie, Musik und von ihr kuratierten und partizipatorischen Projekten erforscht. Dazu zählt insbesondere ihr alterego #Sergina als Drag Princess, die online und offline Songs über die Liebe, die Lust und die Einsamkeit im digitalen Zeitalter performt. Die Performances finden gewöhnlich an mehr als einem Ort statt und beziehen verschiedene Leute ein, die simultan in verschiedenen Städten dieselben Choreographien aufführen, verbunden über Google Hangout und live gesendet über YouTube. In diesem Format sind #Sergina (im Plural) in Museen, Gallerien, queeren und Theaterkontexten in England und anderen Ländern Europas sowie in den USA aufgetreten, u.a. in The Lowry Centre, Salford Quays; Marlborough Theatre, Brighton; Kulturni Centar GRAD, Belgrad; Monster Ronson’s, Berlin; BOM, Birmingham; Secret Project Art Experiment, Brooklyn; und The Island, Bristol. Weitere ihrer Arbeiten waren zu sehen in mac birmingham; Milton Keynes Gallery; Franklin Furnace, New York; Kiasma, Helsinki; ONCA, Brighton; und in der Galerie Wedding, Berlin. Clarke hat einen BA in Kunstgeschichte der Leeds University, einen MA in Bildenden Künsten des Central Saint Martins, London, und ist aktuell CHASE-geförderte Promovendin an der Goldsmiths University London, wo sie den Drag von Körperlichkeit im digitalen Zeitalter erforscht. Clarke arbeitet an dem Projekt #Sergina seit 2015 mit Vladimir Bjeličić zusammen. ellyclarke.com

Weitere Texte von Elly Clarke bei DIAPHANES

An Orgy of Algorithms and Other Desires + Distractions: Der Widerstand der Materialität in einer #digitalphysikalischen hybriden Ökologie
In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybride Ökologien

p€ 7,95
»#Sergina ist kein Avatar, sondern eine Medusa-Figur«. Im Gespräch mit Elly Clarke und Astrid Deuber-Mankowsky
In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybride Ökologien

p€ 7,95
‘#Sergina is not an avatar, but a Medusa figure’. In conversation with Elly Clarke and Astrid Deuber-Mankowsky
In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybrid Ecologies

p€ 7,95

Marietta Kesting (Hg.), Maria Muhle (Hg.), ...: Hybrid Ecologies

p€ 30,00 b€ 30,00

Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.)

Hybrid Ecologies

PDF, 292 Seiten, 0.0 MB

Broschur, 292 Seiten

The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In its present reformulation it refers to the multi-layered and multi-dimensional nexus of reciprocities between living processes, technological and media practices, i.e. to the complex relations of human and nonhuman agents. The book Hybrid Ecologies understands ecology as an ambivalent notion, whose multivalence opens up new fields of action and yet, thanks precisely to this openness and vast applicability, at the same time raises questions not least concerning its genealogy. The interdisciplinary contributions seek to explore the political and social effects that a rethinking of community in ecological and thus also in biopolitical terms may provoke, and which consequences the contemporary notion of ecology might entail for artistic and design practices in particular. The present publication is the result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich.

Inhalt

9–11

Editors’ Preface

Marietta Kesting, Maria Muhle, ...

pgratis
13–30

Hybrid Ecologies – An Introduction

Susanne Witzgall

p€ 9,95
31–41

Mesology and Ecology. Two Alternative Views of the Environment and Their Political Implications in the Nineteenth Century

Ferhat Taylan

p€ 9,95
42–52

Towards the Rift Valley Crossing (Some Notes, Some Works)

Simon Starling

p€ 9,95
53–58

‘Mesopolitics underlines how human and non-human relations have already been thought, way before our noisy concept of the Anthropocene’. In conversation with Simon Starling and Ferhat Taylan

Simon Starling, Ferhat Taylan

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59–72

Milieu, Mimesis and Mimetism

Maria Muhle

p€ 9,95
73–88

‘A Way of Being in the World’. Relational Onto-Epistemologies in Contemporary Art and Theory

Susanne Witzgall

p€ 9,95
89–98

Nihilism Upgrade

Timothy Morton

p€ 7,95
99–110

‘Because you think of yourself as totally integrated in bios and you’ve forgotten that you totally rely on other life forms’. In conversation with Ursula Biemann and Timothy Morton

Ursula Biemann, Timothy Morton

p€ 9,95
111–123

Hurricanes, Popsicles and Plankton: the Hybrid Ecologies of Bodily Natures

Stacy Alaimo

p€ 9,95
124–134

The Art of Life in the Age of Mass Extinction

John Jordan

p€ 9,95
135–142

Think Like a Forest – Act Like a Swarm. A class in art, activism and ecological thinking with the Laboratory of Insurrectionary Imagination

p€ 7,95
143–152

Toxic Relations: Ecology, Aesthetics (and their Discontents)

Jenny Nachtigall

p€ 7,95
153–163

Queer Ecologies: Against the Ontologizing of Queerness, for the Development of Queer Collectives!

Astrid Deuber-Mankowsky

p€ 9,95
164–172

An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology

Elly Clarke

p€ 7,95
173–180

‘#Sergina is not an avatar, but a Medusa figure’. In conversation with Elly Clarke and Astrid Deuber-Mankowsky

Elly Clarke, Astrid Deuber-Mankowsky

p€ 7,95
181–196

Hybrid Media Archipelagos in Sondra Perry’s ‘Typhoon Coming On’ and Louis Henderson’s ‘All That is Solid’

Marietta Kesting

p€ 9,95
197–208

Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form

Erich Hörl

p€ 9,95
209–215

One Minute Material – A Chronological Analysis of Sound Ecologies

BJ Nilsen

p€ 7,95
216–227

Future-Crafting: The Non-humanity of Planetary Computation, or How to Live with Digital Uncertainty

Betti Marenko

p€ 9,95
228–240

Ecologizing Design

Martín Ávila

p€ 9,95
241–249

‘The idea that we can design an ecology is something we should be wary of’. In conversation with Martín Ávila and Betti Marenko

Betti Marenko, Martín Ávila

p€ 7,95
251–262

Radical Ecological Imaginaries: Turning the Ruins of our Present into the Legacies of the Future

Maria Kaika

p€ 9,95
263–270

Ecologies of Existence: The Architecture of Collective Equipment

Godofredo Pereira

p€ 7,95
271–277

‘I know nothing more violent than a consensus building exercise around the table amongst the “usual suspects”’. In conversation with Maria Kaika and Godofredo Pereira

Maria Kaika, Godofredo Pereira

p€ 7,95
279–286

The Authors

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybride Ökologien

In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybride Ökologien

In: Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.), Hybrid Ecologies

9–11

Marietta Kesting, Maria Muhle, ...

13–30

Susanne Witzgall

31–41

Ferhat Taylan

42–52

Simon Starling

53–58

Simon Starling, Ferhat Taylan

59–72

Maria Muhle

73–88

Susanne Witzgall

89–98

Timothy Morton

99–110

Ursula Biemann, Timothy Morton

111–123

Stacy Alaimo

124–134

John Jordan

135–142

143–152

Jenny Nachtigall

153–163

Astrid Deuber-Mankowsky

164–172

Elly Clarke

173–180

Elly Clarke, Astrid Deuber-Mankowsky

181–196

Marietta Kesting

197–208

Erich Hörl

209–215

BJ Nilsen

216–227

Betti Marenko

228–240

Martín Ávila

241–249

Betti Marenko, Martín Ávila

251–262

Maria Kaika

263–270

Godofredo Pereira

271–277

Maria Kaika, Godofredo Pereira

279–286

The Authors