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Betti Marenko: Future-Crafting: The Non-humanity of Planetary Computation, or How to Live with Digital Uncertainty
Future-Crafting: The Non-humanity of Planetary Computation, or How to Live with Digital Uncertainty
(S. 216 – 227)
p€ 9,95

Betti Marenko

Future-Crafting: The Non-humanity of Planetary Computation, or How to Live with Digital Uncertainty

PDF, 12 Seiten, 0.0 MB

  • Gegenwartskunst
  • Ökologie
  • Globale Ökologie
  • Kunsttheorie

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Betti Marenko

ist Dozentin für Design und Techno-digitale Zukünfte an der University of the Arts London (UAL) und leitet den Bereich Contextual Studies für Produktdesign am Central Saint Martins (UAL). Ferner ist sie Gastprofessorin am Tokyo Institute of Technology. Ihre Arbeit an der Schnittstelle zwischen Philosophie und Design untersucht die Spannung zwischen Design als einer Methode, um über Zukünfte zu spekulieren und sie einzuleiten, und einer die Materialität, das Virtuelle und Nichtmenschliche thematisierenden Theorie. Ihr Interesse richtet sich darauf, Design im 21. Jahrhundert als kritisches Werkzeug zum Denken, Machen und Schaffen von Veränderung zu re-positionieren. Marenko ist Mitherausgeberin des Sammelbandes Deleuze and Design (2015) und ihre Aufsätze sind in verschiedenen Handbüchern erschienen, zuletzt in Believing in Bits: Digital Media and the Supernatural (2019), UnDesign: Critical Practices at the Intersection of Art and Design (2018), Encountering Things. Design and Theories of Things (2017) sowie in den Zeitschriften Design and Culture, Design Studies und Digital Creativity. www.bettimarenko.org
Weitere Texte von Betti Marenko bei DIAPHANES
Marietta Kesting (Hg.), Maria Muhle (Hg.), ...: Hybrid Ecologies
p€ 30,00 b€ 30,00

Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.)

Hybrid Ecologies

PDF, 292 Seiten, 0.0 MB

Broschur, 292 Seiten

The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In its present reformulation it refers to the multi-layered and multi-dimensional nexus of reciprocities between living processes, technological and media practices, i.e. to the complex relations of human and nonhuman agents. The book Hybrid Ecologies understands ecology as an ambivalent notion, whose multivalence opens up new fields of action and yet, thanks precisely to this openness and vast applicability, at the same time raises questions not least concerning its genealogy. The interdisciplinary contributions seek to explore the political and social effects that a rethinking of community in ecological and thus also in biopolitical terms may provoke, and which consequences the contemporary notion of ecology might entail for artistic and design practices in particular. The present publication is the result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich.

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