Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1913 of 1927 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 906 of 1824 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 762 of 1536 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 950 of 1912 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1192 of 2396 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1951 of 3914 bytes [CORE/cake/libs/cache/file.php, line 190]
diaphanes

Nutzerkonto

Erich Hörl: Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form
Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form
(S. 197 – 208)
p€ 9,95

Erich Hörl

Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form

PDF, 12 Seiten, 0.0 MB

  • Gegenwartskunst
  • Kunsttheorie
  • Ökologie
  • Globale Ökologie

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern
Erich Hörl

Erich Hörl

ist Professor für Medienkultur und Medienphilosophie an der Leuphana Universität Lüneburg. Er arbeitet an einer allgemeinen Ökologie, der Kritik der Kybernetisierung aller Existenzformen und einer kritischen Theorie der Environmentalität sowie an einer Faszinationsgeschichte von Nicht-Modernität. Er publiziert international zur Geschichte, den Problemen und Herausforderungen der gegenwärtigen technologischen Bedingung. Zu seinen Publikationen zählen u.a.: Sacred Channels: On the Archaic Illusion of Communication, mit einem Vorwort von Jean-Luc Nancy (2018); General Ecology. The New Ecological Paradigm (Hg., 2017); »Die Ökologisierung des Denkens« (Zeitschrift für Medienwissenschaft, 2016); »A Thousand Ecologies: The Process of Cyberneticization and General Ecology« (in: The Whole Earth. California and the Disappearance of the Outside, 2013); Die technologische Bedingung. Beiträge zur Beschreibung der technischen Welt ( 2011, Hg.) und Die Transformation des Humanen. Beiträge zur Kulturgeschichte der Kybernetik (2008, Hg. mit Michael Hagner).

Erich Hörl: Die heiligen Kanäle
p€ 35,00
Erich Hörl (Hg.), Bernard Stiegler: Hypermaterialität und Psychomacht
b€ 30,00 p€ 25,00
Erich Hörl (Hg.), Nelly Y. Pinkrah (Hg.), ...: Critique and the Digital
b€ 25,00 p€ 25,00
Weitere Texte von Erich Hörl bei DIAPHANES
Marietta Kesting (Hg.), Maria Muhle (Hg.), ...: Hybrid Ecologies
p€ 30,00 b€ 30,00

Marietta Kesting (Hg.), Maria Muhle (Hg.), Jenny Nachtigall (Hg.), Susanne Witzgall (Hg.)

Hybrid Ecologies

PDF, 292 Seiten, 0.0 MB

Broschur, 292 Seiten

The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In its present reformulation it refers to the multi-layered and multi-dimensional nexus of reciprocities between living processes, technological and media practices, i.e. to the complex relations of human and nonhuman agents. The book Hybrid Ecologies understands ecology as an ambivalent notion, whose multivalence opens up new fields of action and yet, thanks precisely to this openness and vast applicability, at the same time raises questions not least concerning its genealogy. The interdisciplinary contributions seek to explore the political and social effects that a rethinking of community in ecological and thus also in biopolitical terms may provoke, and which consequences the contemporary notion of ecology might entail for artistic and design practices in particular. The present publication is the result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich.

Inhalt