Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 2 of 16 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 311 of 634 bytes [CORE/cake/libs/cache/file.php, line 190]

Warning: unserialize() [function.unserialize]: Extra data starting at offset 2 of 16 bytes in /www/htdocs/w008552b/testbett/php8-frontend/cake/libs/cache/file.php on line 190
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 3390 of 3404 bytes [CORE/cake/libs/cache/file.php, line 190]

Warning: unserialize() [function.unserialize]: Extra data starting at offset 2 of 16 bytes in /www/htdocs/w008552b/testbett/php8-frontend/cake/libs/cache/file.php on line 190
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1155 of 2322 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 2 of 753 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1460 of 2932 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 959 of 1930 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 357 of 726 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1897 of 3806 bytes [CORE/cake/libs/cache/file.php, line 190]

Warning: unserialize() [function.unserialize]: Extra data starting at offset 2 of 16 bytes in /www/htdocs/w008552b/testbett/php8-frontend/cake/libs/cache/file.php on line 190
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 906 of 1824 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 762 of 1536 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 950 of 1912 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 723 of 1458 bytes [CORE/cake/libs/cache/file.php, line 190]
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1173 of 2358 bytes [CORE/cake/libs/cache/file.php, line 190]

Warning: unserialize() [function.unserialize]: Extra data starting at offset 2 of 16 bytes in /www/htdocs/w008552b/testbett/php8-frontend/cake/libs/cache/file.php on line 190
Warning (2): unserialize() [function.unserialize]: Extra data starting at offset 1015 of 1029 bytes [CORE/cake/libs/cache/file.php, line 190]
diaphanes

Nutzerkonto

Liu Chuang: Bitcoin Mining and Field Recordings of Ethnic Minorities
Bitcoin Mining and Field Recordings of Ethnic Minorities
(S. 228 – 237)
p€ 7,95

Liu Chuang

Bitcoin Mining and Field Recordings of Ethnic Minorities

PDF, 10 Seiten, 0.0 MB

  • Globalisierung
  • Kosmopolitik
  • Kunst
  • Kunsttheorie
  • Politik

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Liu Chuang

is an artist. He lives and works in Shanghai. Major exhibitions include solo exhibitions at Antenna Space co Qiao Space (2019); Mother’s Tankstation, London (2018); Magician Space, Beijing (2015); K11 Wuhan, Wuhan (2015); Taikang Art Space, Beijing (2014); Kunsthall Stavanger, Stavanger (2014); Salon 94 Freemans, New York (2014); Leo Xu Projects, Shanghai (2012). Major group exhibitions include: Cosmopolis #2, Centre Pompidou, Paris (2019); 5th Ural Industrial Biennial Of Contemporary Art, Ekaterinburg, Russia (2019); Cosmopolis #1.5: Enlarged Intelligence, Centre Pompidou & Mao Jihong Arts Foundation, Chengdu, China (2018); Long March Project: Building Code Violations 3 - Special Economic Zone, Guangdong Times Museum, Guangzhou, China (2018); Foundation Louis Vuitton, Paris (2016); Para Site, Hong Kong (2016); Haus der Kulturen der Welt, Berlin (2016); 10th Shanghai Biennale curated by Anselm Frank, Shanghai (2014); 10th Gwangju Biennale, Gwangju (2014); Tampa Museum of Art, Tampa (2014); Rubell Family Collection, Miami (2013); UCCA, Beijing (2013); Whitechapel Gallery, London (2012); Minsheng Museum, Shanghai (2011); China Power Station, Pinacoteca Agnelli, Turin (2010); New Museum of Contemporary Art, New York (2009); and Astrup Fearnley Museum of Modern Art, Oslo (2007).
Zairong Xiang (Hg.): minor cosmopolitan
b€ 30,00 p€ 30,00

Zairong Xiang (Hg.)

minor cosmopolitan
Thinking Art, Politics, and the Universe Together Otherwise

Broschur, 256 Seiten

PDF, 256 Seiten, 0.0 MB

Cosmopolitanism is a theory about how to live together. The earliest formulation of cosmopolitanism in the West could be dated to as early as the fourth century BCE in ancient Greece by Diogenes, who famously said that he was a “citizen of the world – kosmopolitês,” an idea later picked up by Immanuel Kant, the German philosopher who proposed a philosophy of a world of “perpetual peace.” When cosmopolitanism first emerged as a political idea for modernity in the European Enlightenment, the project embraced the liberal promises of a globalizing economy, yet remained oblivious to, and even complicit with, capitalism, slavery and colonialism. It centered on the male, bourgeois, and white liberal subject, irrespective of the ongoing disenfranchisement, dehumanization, and extermination of its Others.

 

At the dawn of the 21st century, and in the wake of rapid globalization however, academics, politicians and other pundits enthusiastically declared cosmopolitanism to be no longer just a philosophical ideal, but a real, existing fact. Across the globe, they argued, people were increasingly thinking and feeling beyond the nation, considering themselves citizens of the world. Meanwhile, the global ecological crisis worsens, fascism with different outfits returns in many places of the world, the repression of women, sexual, racial, class and other minorities on a global scale persists; the so called “refugee crisis” inundates the mediascape and political spectacle. Not much of those cosmopolitan promises have left it seems. Perhaps precisely because of this, however, it seems to be an absolute necessity for scholars, activists, and artists today to face the complexities and promises cosmopolitanism has raised although not adequately answered. What has happened to the cosmopolitan promise, and who betrayed it?

 

“Minor cosmopolitanisms” wishes to challenge the underlying premises of ‘major’ cosmopolitanism without letting go of the unfulfilled emancipatory potential of the concept at large. It wants to rethink cosmopolitanisms in the plural, and trace multiple origins and trajectories of cosmopolitan thought from across the globe. Regarding cosmopolitanisms as emerging through diverse locally, historically and politically specific practices, minor cosmopolitanisms are predicated on difference without abandoning the quest for a shared vision of conviviality and justice. It seeks to answer: how to live at once with our difference and shared struggle? How to think our complicity with even those we most resist? Who sustains the world’s flourishing despite all this?

Inhalt