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Amelia Jones, Premesh Lalu: The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune
The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune
(S. 247 – 260)
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Amelia Jones, Premesh Lalu

The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune

PDF, 14 Seiten, 0.0 MB

  • Institutionenkritik
  • Künstlerische Praxis
  • Performance-Kunst
  • Öffentlichkeit
  • Gegenwartskunst
  • Aktivismus

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Amelia Jones

Amelia Jones is Robert A. Day Professor of Art & Design at University of Southern California, Los Angeles. Recent publications include Queer Communion: Ron Athey (2021), co-edited with Andy Campbell (accompanying a retrospective of Athey’s work, which she curated); and In Between Subjects: A Critical Genealogy of Queer Performance (2021). She is writing a book entitled Against Cultural Capitalism, which addresses the structural racism and neoliberalism of the art world and university, as well as organizing an exhibition of the work of Ken Gonzales-Day, to open at USC Fisher Museum, Los Angeles, in 2025.

Weitere Texte von Amelia Jones bei DIAPHANES

Premesh Lalu

Premesh Lalu holds the NRF/British Academy SA-UK Bilateral Digital Humanities Chair in Culture and Technics at the Centre for Humanities Research (CHR) at the University of the Western Cape (UWC), South Africa. Lalu is the former director and convenor of the Flagship on Critical Thought in African Humanities in the CHR. He is the author of The Deaths of Hintsa: Postapartheid South Africa and the Shape of Recurring Pasts (2009), which was included in the Long List for the Alan Paton Award. A recent monograph, Undoing Apartheid, was published by UK-based Polity Press in November 2022.
Weitere Texte von Premesh Lalu bei DIAPHANES
Anna Kipke (Hg.), Iryna Kovalenko (Hg.), ...: Drafts in Action
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Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.)

Drafts in Action
Concepts and Practices of Artistic Intervention

Broschur, 268 Seiten

PDF, 268 Seiten, 0.0 MB

How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, as well as human and non-human relations? What are the historical and theoretical references that fuel current approaches within the arts—performative, participatory, intervening—and in what ways do these references infer a certain tension between concepts and actions, between objectives and practices? And in what ways do these debates provide possible tools for the analysis of artistic intervention today?

This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, literary and performative studies as well as art practitioners, present case studies that shed light on artistic practices that respond to geopolitical, socio-cultural, and ecological crises, as well as on curatorial projects, the organization of collectives and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors.

 

Taking a multidirectional approach that accounts for the positionality of perspectives and highlights the non-directional formation of the interventions at hand, the anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions.

 

With contributions by Raphael Daibert, Agata Jakubowska, Amelia Jones, Anna Kipke, Iryna Kovalenko, Premesh Lalu, Natalia Moussienko, Alia Rayyan, Laura Rogalski, María Laura Rosa, Franka Schäfer, Paula Serafini, Valeria Schulte-Fischedick, Simon Teune, and Mimmi Woisnitza.

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